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As surgeons, we have a unique understanding of the marriage between artistry and dexterity. We study the movements of the hand, wrist and elbow as part of the artist’s signature style and develop ways of preventing and treating problems due to overuse or acute injury.

Whether it’s a fulltime profession or just a hobby, music and the arts are a vital part of the lives of over 62 million Americans. But mastering the arts is not easy. Few other endeavors require the long hours of practice, organization, discipline, intense concentration, drive, and perseverance. Combining this with an often highly competitive environment, travel, performance anxiety, and often low compensation, one can begin to understand why over 85% of performing artists experience some type of performance related musculoskeletal complaint (PRMC). Many performers may be reluctant to report problems which may affect their job or career.

Almost all artistic hands will experience at least one episode of PRMC serious enough to limit participation in their chosen field. Distinguishing between minor aches and more serious overuse injuries is not always easy. While “suffering for ones art” may be part of the artistic culture, hand or arm pain is not normal and should not be ignored. Artistic hands experience many of the same every day tasks that we all must do, however, the intense hand and arm activities of artistic pursuits can place extraordinary demands on arm and hand tendons, joints, and muscles. Many performing artists self-treat, go untreated, or seek alternative sources of health care. Impediments to seeking health care include peer pressure, a tradition of toughness, admission of weakness, indifference of health providers, and limited insurance. Most primary care physicians and specialists lack knowledge of performing artist’s medical problems. Performing arts medical specialists do exist but remain few in number.

We understand that the instrument is the extension of the artist, and appreciate that the hand may be the most important instrument of all. Through dedicated understanding of the unique demands of the performing and studio artist, we have fostered a deep appreciation for the factors that determine disappointment or fulfillment for these talented patients.

Tendinitis, nerve compression or muscle deconditioning are all reasons the musician fails to perform at his or her best. Our physicians are expert at the diagnosis and treatment of all these disorders. Members of our rehabilitation staff have been recognized world-over for their dedication and excellence in the treating musicians and artists.
Curtis National Hand Center. Union Memorial Hospital. 3333 N. Calvert St, Baltimore, MD 21218. p: (410) 235-5405. f: (410) 467-5459